Some recent books I've bought or spotted:
Hal Niedzviecki's The Peep Diaries: How We're Learning to Love Watching Ourselves and Our Neighbors
looks at oversharing in the digital age. Naturally he has a blog, a twitter account, a webcam, a forthcoming documentary, and much more at the book's site.
From the book description:
know-all digital phenomenon that is dramatically altering notions of
privacy, individuality, security, and even humanity. Peep culture is
reality TV, YouTube, MySpace, Facebook, Twitter, over-the-counter spy
gear, blogs, chat rooms, amateur porn, surveillance technology, Dr. Phil, Borat,
cell phone photos of your drunk friend making out with her
ex-boyfriend, and more. In the age of peep, core values and rights we
once took for granted are rapidly being renegotiated, often without our
[…] Part travelogue, part diary, part
meditation and social history, The Peep Diaries explores a
rapidly emerging digital phenomenon that is radically changing not just
the entertainment landscape, but also the firmaments of our culture and
Richard Sennett's The Craftsman, just out in paperback, seems like a broad hybrid of sociology, psychology, history, cultural studies and philosophy. I've only read a couple chapters, and while it's not the quickest read, I'm finding it compelling as it combines a lot of things I'm interested in. In the book's prologue (about half of which you can read in the Amazon preview) he says that the book is the first of a planned "Pandora" trilogy. It sounds ambitious, though he seems mightily prolific. He writes:
This is the first of three books on material culture, all related to the dangers in Pandora's casket, though each is intended to stand on its own. This book is about craftsmanship, the skill of making things well. The second volume addresses the crafting of rituals that manage aggression and zeal; the third explores the skills required in making and inhabiting sustainable environments. All three books address the issue of technique–but technique considered as a cultural issue rather than as a mindless procedure; each book is about a technique for conducting a particular way of life. The large project contains a personal paradox that I have tried to put to productive use. I am a philosophically minded writer asking questions about such matters as woodworking, military drills, or solar panels.
Bill Wasik, an editor at Harper's and apparently the inventor of the flash mob, has a new book called And Then There's This: How Stories Live and Die in Viral Culture. From the description:
And Then There’s This is Bill Wasik’s
journey along the unexplored frontier of the twenty-first century’s
rambunctious new-media culture. He covers this world in part as a
journalist, following “buzz bands” as they rise and fall in the online
music scene, visiting with viral marketers and political trendsetters
and online provocateurs. But he also wades in as a participant,
conducting his own hilarious experiments: an e-mail fad (which turned
into the worldwide “flash mob” sensation), a viral website in a
monthlong competition, a fake blog that attempts to create “antibuzz,”
and more. He doesn’t always get the results he expected, but he tries
to make sense of his data by surveying what real social science
experiments have taught us about the effects of distraction,
stimulation, and crowd behavior on the human mind. Part report, part
memoir, part manifesto, part deconstruction of a decade, And Then There’s This captures better than any other book the way technology is transforming our culture.
Wade Rouse's (third) memoir At Least in the City Someone Would Hear Me Scream: Misadventures in Search of the Simple Life tells the story of his trying to become a self-described “modern-day Thoreau.” Sounds fairly amusing, and I like the cover.
In a slightly similar vein is One Square Inch of Silence: One Man's Search for Natural Silence in a Noisy World by Gordon Hempton. Hempton is an "acoustic ecologist" and writes about his experiences recording the quietest places in the country. The book comes with a CD and is an outgrowth of the One Square Inch project, which seeks to preserve a quiet space in Olympic National Park.